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By Fritz Gutbrodt

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Keep, “The Disturbing Liveliness of Machines: Rethinking the Body in Hypertext Theory and Fiction,” in Marie-Laure Ryan, ed. Cyberspace Textuality: Computer Technology and Literary Theory (Bloomington and Indianapolis: Indiana University Press, 1999), 175. 19 Andrea A. Lunsford and Lisa Ede, “Collaborative Authorship and the Teaching of Writing,” in Martha Woodmansee and Peter Jaszi, eds. The Construction of Authorship: Textual Appropriation in Law and Literature (Durham and London: Duke University Press, 1994), 438.

Although one would be hard pressed to define literature as anything other than interactive, it is interesting to see how the momentous change in media technology deals with the challenge Joyce’s work brings to literature. As Jay Bolter claims, “It is true that Joyce employs most every technique 13 Stuart Gilbert, ed. The Letters of James Joyce (London: Faber and Faber, 1957), I: 341. 14 Derrida, “Two Words for Joyce,” 153. Important on this aspect of Joyce’s narrative is Fritz Senn, Joyce’s Dislocutions: Essays on Reading as Translation (Baltimore and London: The Johns Hopkins University Press, 1984).

34 Roland Barthes, “The Death of the Author,” in Image–Music–Text (New York: Hill and Wang, 1977), 148. See also Michel Foucault, “What is an Author,” in Language, Counter-Memory, Practice: Selected Essays and Interviews (Ithaca: Cornell University Press, 1977), 113–38. 35 Seán Burke, The Death and Return of the Author: Criticism and Subjectivity in Barthes, Foucault and Derrida (Edinburgh: Edinburgh University Press, 1998), 187. 32 I wish to thank Hans-Jost Frey and Peter Hughes from the University of Zurich for the inspiration and support they have given me for many years.

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