PDF | English | 148 pages
The in basic terms journal dedicated to the main skilled and critical guitar avid gamers. insurance contains the best classes and grasp sessions, interviews with most sensible artists, recording information, and huge product experiences.
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Extra resources for Guitar Player (September 2015)
So we made a mutually beneficial exchange. He sent me the amp, and I sent him a guitar. I had [guitar tech] Bill Schneider ﬁx it up, and that amp is just crazy sounding! You have to turn it up to 10, so you can’t be in the same room with it, but it’s a very powerful, not-verybroken-up-sounding Marshall with a lot of heart and soul.
That’s what the last song, “Goodbye Supernova,” is about. It starts off pretty, and then it gets dark. There’s a sort of blues testifying, and then a weird breakdown, where this strange guitar thing is him sort of going through this period of rebirth. He walks into the light, so to speak, but I don’t provide the answer to where he’s going, because I didn’t presume to know that. Did you go as far as to choose gear for certain songs based on what you thought Shockwave would use? Such as speciﬁc guitars or amps?
What’s the key to keep doing what you do at such a high level for all these years? Well, the thing I learned from guys like Johnny Winter and Billy Gibbons is that it requires quite a bit of energy to do it right. Both of those guys put in a very high energy level to do what they did all the time, and there’s really no other way to perform properly. I know Johnny didn’t have the same kind of energy level that he had in the ’90s or whatever, but the one night I played with him he was tearing it up.