Download First Impressions: What You Don't Know About How Others See by Ann Demarais Ph.D., Valerie White Ph.D. PDF

By Ann Demarais Ph.D., Valerie White Ph.D.

My 12-Step sponsor heavily instructed that i am getting this ebook and am I joyful that I did!!!!
[I'm an "anger-holic".]

There are significant truths for men and gals in the following and you'll examine much while you're prepared to be carefully honest!

Brad F
Tampa Bay, FL

Show description

Read or Download First Impressions: What You Don't Know About How Others See You PDF

Similar communication & media studies books

Bad: Infamy, Darkness, Evil, and Slime on Screen

Examines the various varieties of cinematic badness during the last 100 years, from Nosferatu to The gifted Mr. Ripley.

Politische Soziologie: Ein Studienbuch

Mehr als 25 Jahre nach Erscheinen des letzten Überblicksbandes zur Politischen Soziologie fasst das als Sammelband angelegte Studienbuch den aktuellen Forschungsstand der Politischen Soziologie im Schnittbereich von Politikwissenschaft und Soziologie zusammen. Ausgewiesene Forscherinnen und Forscher geben einen Einblick in die theoretisch-konzeptionellen Grundlagen und Fortentwicklungen der zentralen Subdisziplinen der Politischen Soziologie, zum Beispiel der Werte- und Einstellungsforschung, der Wahl- und Parteiensoziologie, der Parlamentarismus- sowie politischen Partizipations- und Kommunikationsforschung.

A short history of celebrity

Like it or hate it, star is likely one of the dominant gains of recent life-and one of many least understood. Fred Inglis units out to right this challenge during this wonderful and enlightening social historical past of recent megastar, from eighteenth-century London to modern day Hollywood. Vividly written and brimming with attention-grabbing tales of figures whose lives mark very important moments within the heritage of big name, this booklet explains how reputation has replaced over the last two-and-a-half centuries.

Cultural Science: A Natural History of Stories, Demes, Knowledge and Innovation

Cultural technology introduces a brand new frame of mind approximately tradition. Adopting an evolutionary and structures process, the authors argue that tradition is the population-wide resource of newness and innovation; it faces the longer term, no longer the previous. Its leader attribute is the formation of teams or 'demes' (organised and effective subpopulation; 'demos').

Additional resources for First Impressions: What You Don't Know About How Others See You

Example text

These industrial interests, whether or not they function under their old names or their new ones, want the Internet to follow in the footprints of other media technologies, such as radio and television, and to become primarily a delivery system for commercialism, consumerism, and entertainment, not to mention a powerful medium to promote corporate ideology. In the 1990s, the reality of media conglomeration began to be widely recognized, with many people agreeing that mass media and communications are under the control of just a handful of corporations.

The success of the system required the ability for messages, the packets, to be sent and received, regardless of the underlying hardware or software of the individual machine. A standard form of packeting and addressing was required. In 1974, the original transmission format, known as Network Control Protocol (NCP), was superseded by the more sophisticated standard known as TCP/IP or Transmission Control Protocol/Internet Protocol. TCP is responsible for converting data into packets and then reconverting them at the receiving end.

The serendipitous concurrence of these two developments resonated with a new generation of artists and activists eager to experiment with the world’s most powerful medium. The Portapak delivered instant image reproduction; it was a technological holy grail that encouraged practitioners to enter the public realm through the medium of television. Previously, this had been the exclusive domain of the Big Three networks. The ability to work on an expanded public stage encouraged a loose movement of artists and activists to experiment with electronic media, and the traditional boundary between fine art and media began to blur, a distinction that continues to confound people today.

Download PDF sample

Rated 4.81 of 5 – based on 28 votes