By Basil Dufallo
From Eurydice to Laura and past, lifeless enthusiasts name forth robust expressions of grief, sorrow, love, and longing. They celebration mourning and different rituals and appear to be intrinsically certain up with altering principles of subjecthood itself. useless fanatics explores the complicated attachments to the determine of the useless lover in Western literature, paintings, and other kinds of cultural expression from classical antiquity in the course of the heart a while and into the early glossy period.
By reflecting at the examine of lifeless fans, those essays additionally hint the improvement of subject matters and claims on the subject of our personal funding in a “dead” yet eroticized prior that we search to recuperate. the gathering bargains a sustained dialogue of ways scholarly curiosity within the illustration of loss and erotic bonds increases urgent questions on nostalgia, functionality, the function of impact in highbrow paintings, and the gendered cultural values that script the outline and event of the erotic. In its concentrate on loss as a website of have an effect on and mind's eye, useless enthusiasts bargains an unique and provocative contribution to the background of scholarship.
"A cross-disciplinary booklet that may impress dialogue approximately how we predict of our personal educational practices and our funding in them. The substance of the essays is cultural and literary heritage and aesthetics, expert via theoretical issues, yet now not overdetermined by means of them. Readers from all the fields touched upon within the publication will examine from it." - Sara S. bad, division of German, Princeton collage "Dead fans contains a sequence of cutting edge and magnificent insights that aid us reconsider traditions starting from literatures of longing, nostalgia and necrophelia, to the metaphysics of reminiscence and relationality in either premodern and modern contexts. This surely remarkable publication is a must-read for someone considering via what it can suggest, or have intended, to like within the face of death."
- Carla Mazzio, division of English, college of Chicago
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Extra resources for Dead Lovers: Erotic Bonds and the Study of Premodern Europe
I propose to use the intertextual comparison in this one line to ex- pose the way an Adonis-model works in the subtext of Owen's poem, what I call its Adoniasm (a term I gratefully adopt from Aristophanes). Owen's maimed boy is like maimed Adonis in his age, for one thing: perhaps still no older than nineteen. And in his good looks: his loss is couched in terms of an irrevocable loss of youthful beauty and desirability. "-and alongside that, a correction of the conceit that makes his beauty persist even after death: "Ah, even in death he is beautiful, beautiful in death, as one that hath fallen on sleep" (Lang's translations of lines 30-31, 71).
Taciti). 24 The collective concerns of Propertius's audience of Augustan Romans can be seen to motivate such artistic choices, whether conscious or unconscious, on Propertius's part. We are able, furthermore, to posit such collective concerns with far greater confidence than we are those of Propertius himself, because of our far greater body of evidence, both textual and material, for the basic outlines of Augustan ideology and the assent that it garnered from among Augustus's subjects (Propertius's poems, by contrast, are the virtually our only "evidence" for his life).
Heidelberg: Winter. Miller, P. A. 1999. " Transactions of the American Philological As- sociation 129:181-224. 2002. Latin Erotic Elegy: An Anthology and Reader. London: Routledge. 200oo4. Subjecting Verses: Latin Love Elegy and the Emergence of the Real. Princeton: Prince- ton University Press. Mueke, F. 1974. "Nobilis historia? 7. Bulletin of the Institute of Classical Studies of the University of London 21:124-32. 38 DEAD LOVERS Papanghelis, T. D. 1987. Propertius: A Hellenistic Poet on Love and Death.