By Gaetano M. Golinelli
Informed via platforms considering, this ebook explores new views within which tradition and administration are harmoniously built-in and cultural background is interpreted either as a vital a part of the social and monetary context and as an expression of neighborhood identification. the mix of a multidisciplinary procedure, methodological rigor and connection with strong empirical findings within the fertile box of study of UNESCO’s contribution suggest that the publication could be thought of a reference for the administration of cultural history. It casts new mild at the complicated relation of tradition and administration, which has lengthy occupied either students and practitioners and may permit the advance of latest pathways for price construction.
The e-book is predicated on learn performed in the framework of the Consorzio Universitario di Economia Industriale e Manageriale (University Consortium for commercial and Managerial Economics), a community of universities, companies and private and non-private associations that's devoted to the construction and dissemination of information within the box.
This quantity might be of curiosity to all who're concerned about the examine and administration of the cultural heritage.
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Additional info for Cultural Heritage and Value Creation: Towards New Pathways
115 “Non sono i padri a generare i figli, ma i figli che generano i propri padri. Non è il passato a produrre il presente, ma il presente che modella il suo passato. La tradizione è un processo di riconoscimento di paternità” [It is not fathers that make sons, but sons who make their own fathers. The past does not produce the present, but the present models its own past. Tradition is a process of paternal recognition], Lenclud 2001, p. 131. “Comunque sia, laddove si dà riferimento ad un determinato passato storico, è caratteristico delle tradizioni inventate il fatto che l’aspetto della continuità sia in larga misura fittizio.
171 Cf. Frey and Pommerehne 1991, pp. 47–48. Cultural Value 37 goods. 172 Therefore, the innovation of the epoch rests on being aware that in the case of cultural heritage it is the value of the product that defines the value of factors of production and not vice versa. The resultant myriad and profound consequences can be clearly seen by considering the relationship thus established between the meritorious quality and the material and even the market value of use of beni culturali. Having expanded the categories of value but not juxtaposing or replacing the intangible with the material, we obtain something desirable from every point of view.
2008. Cf. Adornato 2006; Nomisma 2001. 121 Cf. Pencarelli 2006. 122 Cf. Santagata 2009. 123 Keys 1980. 124 Rullani 2010, pp. 22–23. 125 This protection, in fact, is exercised in the form of a ‘vincolo’ (bond) similar to that provided by the Codice dei beni culturali e del paesaggio [Code of the cultural heritage and landscape], but not for the object, which would have the absurd effect of preventing the consumption for which it was of course originally intended, but for the conservation of a part of the conditions126 which are part of determining the traditional cultural quality: the places and methods of production that have been documented for the reasonable time of several decades.