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How could the relations between authors and a new body of readers be better fashioned? And how was the author and critic to position him (or less frequently) herself in relation to the metropolitan literary system?

Michael Halloran (Carbondale, IL: Southern Illinois University Press, 2005), p. 407. 25 Adam Smith, Lectures on Rhetoric and Belles Lettres, The Glasgow Edition of the Works of Adam Smith, 6 vols. (Indianapolis: Liberty Fund, 1985), vol. IV, pp. 162, 67, 64. 26 Henry Home, Lord Kames, Elements of Criticism, ed. Peter Jones, 2 vols. (Indianapolis: Liberty Fund, 2005), vol. I, p. 69. 27 The Progress of Romance, vol. II, p. 25. 31 Cambridge Histories Online © Cambridge University Press, 2008 john brewer (historical) past or into an imaginary realm.

London: Routledge, 2000), vol. III, p. 641. 24 Cambridge Histories Online © Cambridge University Press, 2008 Sentiment and sensibility because it was natural, could be neither removed nor suppressed; rather, it required government or management. Such theories of nervous sensibility were both material accounts of the universal human condition and the basis on which a system of human distinction was made. This tension can be clearly seen in the two entries on sensibility from the French Encyclopedie.

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